These drawings are a poetic analysis of contemporary society through the visual image. At the same time, they depict an inner private world. The coercion that culture and religion exert on body and intellect also plays a role: the human as conflict is central in a maze of religion, biology, architecture, and art history. There is no entry or exit. In the course of time, an obsessive iconographic program emerges.

Published on the occasion of the exhibition: Pieter Slagboom, Saturated Manuscript, Bridget Donahue, September 10 - October 31, 2020. Texts by Julia Geerlings, Dean Kissick, and Erin Leland.

• Edition of 500, hardcover. Printed by Die Keure, Belgium